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                  HUANG ZIYUE                                                         







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The goldfish girl only lived for seven months


2020
Video
3’41”

Recounts the magical events that happened to the Goldfish Girl in her short life in July.This work explores the culture of deformed fans from the perspective of the virtual Idol "goldfish girl”. Reflect on the relationship among capital, idols and fans. East Asian idols are not allowed by their fans to fall in love, dye their hair, get tattoos, or smoke. Because idols satisfy fans' fantasies about love and life.This abnormal relationship makes idols not become role models for fans, but let fans escape from reality.When an idol is found to be in love, fans will unfollow, and capital will give up the idol. 

 In China's entertainment industry, the rich second generation often becomes idol stars.This behaviour pattern is like a large sacrificial scene. In ancient times, we sacrificed beautiful children to mountain gods, while in modern times, we sacrificed beautiful and talented children to "capital". Those who consume the products of these idols are the people exploited by capital.

金鱼少女只有七月生命


2020
影像
3’41”

叙述了金鱼少女在她短暂的七月生命中发生的魔幻事件。此作品以虚拟的偶像“金鱼少女”的视角,探讨畸形粉丝文化。以此反思资本、偶像、粉丝三者的关系。偶像不被允许谈恋爱、染头发、纹身抽烟。因为偶像需要满足粉丝对恋爱、生活和性的幻想。当偶像被发现恋爱,粉丝就会脱粉,资本也会放弃这名偶像,推出新包装的“偶像”产品。娱乐圈往往都是富二代成为偶像明星。这种行为模式像大型的祭祀现场,远古时代我们将漂亮的孩子献祭给山神,现代则是将漂亮有才的孩子献祭给“资本”。消费这些偶像的产品的则是被资本剥削的人们。










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